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Dance Luminary Matthew Ball on Demanding Parts and Social Media Scrutiny: 'I'm Not Precious About My Body'

Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball requests a mint tea. The dancer's carriage is effortlessly straight-backed, his limbs defined beneath a simple white T-shirt. On stage, dancers can appear like mighty deities, yet often in person they are petite. Not so Ball, whose height is part of his popularity for heroic roles and pas de deux work. Possessing fine features and piercing eyes, there's a touch of Robert Pattinson about him.

An Apparent Ascent to the Top

Now 31, Ball is experiencing the crest of a career that has advanced seamlessly. Growing up in Liverpool, he faced little teasing for his childhood passion in ballet. Entering the Royal Ballet School at 11, he moved straight into the company and was advanced annually, attaining the highest position of principal in 2018. He has loved taking on meaty characters, particularly the emotional angst found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next featured role is as himself, in an "Evening With" series aiming to offer intimate insights into a dancer's art. He will guide the crowd through a role, demonstrating his cognitive workflow during performance. Yet in lighter ballets, the challenge is significant. "A classic ballet is one of the toughest technically," he states.

The Psychological Game and Post-Performance Feelings

What about following a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get immersed in the character, frequently I do feel self-conscious later. Following Mayerling I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, polite, and prone to laugh at himself. Yet a choreographer once remarked on a "kind of suffering in him." Does this exist? "I am very energetic in general, but I do have a dark side," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for positive change."

Formative Motivations and Artistic Influences

His determination originated in youthful setbacks. Not excelling in competitions at school made him "vengeful!" It was fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he recalls.

The next challenge is making his own dance works. For Ball, "organic movement has value." "Breaking the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with substance, drawing ideas from books, compositions, and painting.

Close-Up Performance and Personal Partnership

He also is interested in presenting dance in more intimate spaces. "It was just really thrilling," he says of a past experience. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created pieces with his partner, fellow principal Mayara Magri. The level of faith between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t usually matched on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Image

On social media, fans can see videos from his projects and images that showcase a athletic form. Does he care that the engagement can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—something that can be seen on multiple ways.

Ball describes his younger self as "desperate for success." Has it met his expectations? "I am conscious of how life is a different thing to the dreams you made as a child," he reflects. He likely has another decade of performing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

About the author

Samantha Ayers

A seasoned journalist and cultural commentator based in Dubai, specializing in Middle Eastern trends and digital media.

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